Marginalia

The joy in making zines is the freedom that comes with curating its content. Unlike other forms of writing, zines give space to throw unanswered questions into the ether, disrupt the status quo, and take you on a journey - often unknowingly - by the writer. While the intention of Inherent Vice is to influence, we acknowledge that some of the ideas presented are on the periphery of current museum and collection care practice. While researching and writing a number of the articles, we felt compelled to include notes on the ethics of our work in the margins of the content - otherwise known as marginalia. Because of this, we concluded that it was only fair to make space within the project for  these considerations. We'll update this page with the release of each issue. Feel free to share your ideas and feedback.

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1. Heritage ethics:​

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2. Conservation ethics:

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3. Language

3.1 Our preference to use 'LGBTQIA+' and 'queer'

In this zine, We use queer and LGBTQIA+ interchangeably, with a preference for LGBTQIA+ over the shorter alternatives (LGBT, LGBT+, LGBTQ LGBTQ+ etc), unless we’re referring to an institution or individual who has actively chosen to use one of the shorter alternatives.

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3.2 Historical language

3.2.1 As we talk about queer identities and histories, we try to be respectful of both modern language and the context of the past. We use LGBTQIA+ because it’s what we use today, but we also try to be careful when we apply these labels to historical figures who would not have identified with these modern terms.

3.2.2 We know that queer used to be a slur and may still feel uncomfortable for some people, especially those who lived through times when it was used negatively. We acknowledging this but choose to use it with its reclaimed meaning of today.

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4. Method & Reflection​

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4.1 Positionality​

4.1.1 This zine is written from the perspective of a queer heritage professional. Inherent Vice is aimed primarily at those working in heritage and arts settings, with the intended aim of encouraging reflection and change from within the sector. However, it is the writer's intention to produce content that engages queer heritage and arts professionals, queer communities, and queer enthusiasts alike.​

4.1.2 While published information draws on lived experience, and current professional practice and activity, it does not claim to represent all queer communities or approaches to heritage. Rather, it seeks to open space for discussion, encourage collaboration, and inspire the genesis of new ideas in the sector.

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5. ​Writing, editorial, and permissions:​

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5.1 ​​Copyright and Ownership: 

5.1.1 All contributors retain full copyright and ownership of their work.​

5.1.2 By submitting, contributors grant Inherent Vice a non-exclusive, non-commercial license to publish the work in the zine (both in print and digital formats), and to share excerpts for promotional purposes (e.g., social media, website).

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5.2 Approval Process: 

5.2.1 Inherent Vice may edit contributors content to fit the zines formatting and style.​

5.2.2 All contributors will have the chance to approve, suggest changes, or withdraw their submission before final printing/distribution.​

5.2.3 We aim to be transparent and collaborative. 

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5.3 Reproduction Rights: 
5.3.1 Because this is a non-profit, community-oriented zine, we may share the full zine (or parts of it) in digital formats (like a PDF or web archive), or use selected content in future zines, anthologies, or exhibits. By submitting, contributors agree to:

• Allow their work to be shared with credit, in future non-commercial uses (e.g., free downloads, zine fairs, community exhibits).

• Be contacted again for approval if commercial opportunities ever arise (e.g., paid anthology, partnership with a publisher).

 

​6. Acknowledgements:

​This zine is the product of a collective effort, made possible by people who freely shared their time and knowledge, and who deeply care about their work. Without their generosity, this project would not have been possible.

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6.1 Issue 1 - Queer History is Everyone's History: 

Justin Bengry / The Queer Heritage and Collections Network (QHCN) / Cesare Cuzzola / Richard Sandell / The Queer History Club, Royal Museums Greenwich / Jas Bevan Nis / The Museum of Transology / Kosma Mrzyglod / E-J Scott / Lean Lupgens / The National Railway Museum / Ashlynn Hudson-Welburn / Amgueddfa Cymru - Wales Museum / Mark Etheridge / HRH Aphrodite I / Queercircle / Francis Williams / Ariel Collier / Rebecca Laverty / Jenny Mathiasson / The Bishopsgate Institute

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