Marginalia

The joy in making zines is the freedom that comes with curating its content. Unlike other forms of writing, zines give space to throw unanswered questions into the ether, disrupt the status quo, and take you on a journey - often unknowingly - by the writer. While the intention of Inherent Vice is to influence, we acknowledge that some of the ideas presented are on the periphery of current museum and collection care practice. While researching and writing a number of the articles, we felt compelled to include notes on the ethics of our work in the margins of the content - otherwise known as marginalia. Because of this, we concluded that it was only fair to make space within the project for  these considerations. We'll update this page with the release of each issue. Feel free to share your ideas and feedback.

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1. Heritage ethics:​

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2. Conservation ethics:

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​3. ​Queer Theory and Ethics:

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4. ​Writing and Editorial notes:

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5. Permissions and Rights:

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Copyright and Ownership: 

• All contributors retain full copyright and ownership of their work.

• By submitting, contributors grant Inherent Vice a non-exclusive, non-commercial license to publish the work in the zine (both in print and digital formats), and to share excerpts for promotional purposes (e.g., social media, website).

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Approval Process: 

• Inherent Vice may edit contributors content to fit the zines formatting and style.

• All contributors will have the chance to approve, suggest changes, or withdraw their submission before final printing/distribution.

• We aim to be transparent and collaborative. 

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Reproduction Rights: 
Because this is a non-profit, community-oriented zine, we may share the full zine (or parts of it) in digital formats (like a PDF or web archive), or use selected content in future zines, anthologies, or exhibits. By submitting, contributors agree to:

• Allow their work to be shared with credit, in future non-commercial uses (e.g., free downloads, zine fairs, community exhibits).

• Be contacted again for approval if commercial opportunities ever arise (e.g., paid anthology, partnership with a publisher).

 

​6. Acknowledgements:

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